Coronado resident and activist Wayne Murray announces the first-time award and explains the process, event.
The Coronado Awards Panel has chosen the home of Thomas Blee-Carlyle and Aaron Carter as the first recipient of the “Coronado Visual Award.” It was on the 2006 Coronado Home Tour and since then, the outward improvements speak for themselves. This award was brought to this point by Katie O’Neal and panel members Jody Clute, Brian Enas, Richard Freshley, Mary Henningsen, Wayne Murray and Brian Vance, and was discussed with many more neighbors at the Day of the Dead event.
Aaron and Tom work constantly to improve and rejuvenate the East Side of Coronado. Each First Friday the doors of their home are open to neighbors to talk as they host an art gallery showing. Please come meet Aaron and Tom some First Friday soon and see why this home was selected.
They have gone above and beyond in the renovation of this rare Phoenix home to grant our community with a treasure now to be honored with the Coronado Visual Award. In gratitude for their efforts, Monica at MacAlpine’s has generously donated dinner or lunch for two as part of this award. Congratulations and thank you Monica!
Click here, SCOTSCRAIG AWARD, for a link to slideshow of the home. (Wait a moment for buffering of the Windows Media video.)
Below is a description of the home written by Aaron Carter. The award panel offers the homeowners an opportunity to write their own words about their home.
Built in 1925, the Tudor Bungalow is affectionately named “Scotscraig” after the name of the original development. An important design tenant was to integrate the desert and period colors with the visual and physical elements of the home. The 18-month custom period renovation restored historic details both inside and out while being sensitive to the environment and modernization. Tom and I tried to visualize then harmonize these visceral aspects: color, light, sound and texture.
The front landscape uses desert plantings. The bright reds, oranges and yellows resonate with the red pavestone, red rocks, cement entryway, decorative painting on the portico, and large boulders. In this way, the warm colors are brushed across the fragile salvia blooms, the enduring pavestone, and hand-painted portico. The 1940’s barn is cloaked in marigold orange, agave green, and geranium red. The color palette expands to include the antique copper mineral tone of the landscape lighting, announcing the homes location in Arizona. The mountains around are symbolized by the granite grey of the pea gravel, river rocks, stones and fountain. The period olivine greens and browns of the half-timbering and trim, as well as the painted red wood fence, represent the wooded forest one might find a Tudor Bungalow.
Black and white striped fabric awnings further enhance the graphic qualities and present a framing for the entire scene. The post lights offer their fire at night, and the fountain captures the essence of life while bringing a calming sound. An integration of location, environment, history and flora results in a friendly visual award-winning appeal.